The CSA Images collection is considered one of the world's leading modern design resources for the creation and preservation of print and pop culture. CSA Images capture the authenticity and detail of hand-drawn illustration, and digitally preserve the legacy and artifacts of ink printed on paper. CSA Images contain tens of thousands of illustrations and design elements, including icons, ornaments, patterns, borders, and illustrated words, all searchable by keyword.
www.csaimages.com, illustration, 2010-2016
The Meeting Waters
As summer comes to a close, the MCAD MFA program starts the new academic year with their annual Fall Exhibition, and this year it was The Meeting Waters. Inspired by the poem of the same name by Elizabeth Whittier, the show united artists from disparate sources, exploring the possibilities of physical and psychological spaces in flux.
Brand identity, MCAD MFA show, 2015
Lil' Kim French
After 10 years in the New York fashion industry, Kim French returned to the midwest to join the family business. This Lil' Kim paper doll brochure introduces her as the newest 6th generation French family member and shows her dressed up in various paper outfits printed on different colors of Pop Tone.
French Paper Company, brochure, 2014
The synthetic nature of what makes up a cheeto are much like the elements that make up the room. Cheery to the point of disturbing, the room is an environment for not only the Cheetos to live but for the viewer to interact within.
Multi media, mixed media, cheetos, 2014.
The camper and accompanying video reveal my unshakable faith in the notion that happiness can be vacuumed or purchased if you just try hard enough, and through this installation, I make fun of my own feelings of inadequacy. I mimic adulthood, distracting the viewer with excess in the hopes of concealing my own self-consciousness, and the fact that it’s all pretend and that my own home is a disaster. The decoration and excess alternately reveal an anxiety and sadness, and the kitsch and camp stand in for content. My thesis project explores two questions: Do we ever stop “playing house?” Why is there pressure to grow up? My answers lie in my adult memory of the innocently imagined meaning of adulthood I held as a child. Through presentation and critical contemplation, addresses excess and decoration, kitsch and camp, dress-up and drag, anxiety and crying, and punctuated with laughter.
Mixed media, multi media, 2016.
I like the facades of things, especially pretty ones. I don’t fit into this category. My 234-pound frame and double chin stare back at me every day with their mocking tone. By building walls of humor and light-hearted comments I beg you to not judge me too harshly. I’m doing enough of that for the both of us.
Mixed media, multi media, digtial print, 2015
Joint Custody showcased the newest photo, video and installation work from Curly Jefferson. Curly Jefferson is the anonymous fictional dual character that is the collaboration of MCAD MFA graduates, Kayla Campbell and Katie Lupton. The show explored elements of fun, color, styling, silliness and anonymity. Under the guise of Curly Jefferson, the designers are able to take on different personas and experiment with creating work in a looser manner than in their individual practices. By being anonymous, the viewer can take on the role of the figure in the image, with the focus becoming less about the individuals and more about the action, the environment and the perceived narrative.
Joint Custody aimed to transform the space into an experiential environment by including visual and auditory stimuli with videos, color, and pattern play. Campbell and Lupton were interested in the play between sensory overload and the invitation into a space, leaving the viewer with part Uncanny Valley and part unaffected amusement. By using a sense of humor and silly subject matter the work is easier to digest, allowing the viewer to feel included on the inside joke.
Multi media, mixed media, collaboration, 2016.
Curly Jefferson Compilation
and I can cry if I want to
Crying is something I’m all too familiar with. It’s been very present throughout the entirety of my life, and has even been elevated to a game within my family. It’s practiced on most major holidays and sometimes even during mundane occasions, such as family dinners or in my childhood, parent-teacher conferences. ‘Make Kayla Cry’ is the name of the game, and being the first to do so is the main objective. The prize is my tears. Bonus points if it’s before the completion of the meal or opening presents. My tears aren’t always due to sadness. They seem to be my go-to emotion, whether it be hurt, anger, or from the overwhelming happiness in a situation. I can also be brought to tears through laughing, if hilarity strikes.
The pairing of pastel Easter colors in this nostalgically simplified party setting are merely the set for the short snapshots of hysteria I’ve created. Juxtapositions of content are something that interest me, and where you find the underlying humor within these situations.